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“Or I’ve taken wrong turns and there’s no fixing it. “There are certainly things I’ve done that weren’t as good as they could have been,” Byrne says. Like Brian Eno, a friend and collaborator for 40 years, Byrne has parlayed rock celebrity into a life so eventful that it makes merely performing in a band look parochial.
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In 1986, he was billed on the cover of Time magazine as “Rock’s Renaissance Man: Singer, Composer, Lyricist, Guitarist, Film Director, Writer, Actor, Video Artist, Designer, Photographer.” Since then, he has released six solo albums recorded with Brian Eno, St Vincent, Arcade Fire and De La Soul scored movies, plays and TV shows won an Oscar founded the Luaka Bop record label started an online radio station composed an operetta about Imelda Marcos with Fatboy Slim exhibited artwork written books about music and cycling published volumes of photographs and sketches designed bike racks turned a ferry terminal into a musical instrument and played himself on The Simpsons. It makes you wonder how much Byrne would have achieved if he had been naturally sociable. I’m able to talk in a social group whereas before I would retreat into a corner.”
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I don’t just bury things and let them explode at some point. “I’m imperfect, but I communicate better. “I’ve changed over the years,” he insists. Very occasionally, as if by accident, he makes eye contact. He gazes out of the window at the rush-hour crowds, he studies an unwanted plate of fancy biscuits, he looks nowhere in particular. He has a selection box of laughs – simmering chuckle, conspiratorial giggle, strangled whinny, lusty guffaw, something that sounds like a suppressed sneeze – yet remains somewhat detached. What’s up? What’s going on with you?’”īyrne laughs. “They do sometimes ask me: ‘David, you seem to be fairly happy most of the time. Maybe if I didn’t do it I’d be really depressed, but I have no idea.” Some of his friends find this confusing. “I think I’m a naturally cheery person so I don’t have anything to measure it against. The following afternoon, tucked into the corner of a hotel lounge, I ask him if the exercise has worked. For most of his life, Byrne has been asking if things can be done differently.
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To quote one of his famous lyrics, this ain’t no disco, but nor is it out of character. Looking like a dapper academic with his sharp grey suit and shock of white hair, the 65-year-old clicks through his slides: carbon-neutral urban planning in Sweden, high-speed bus lanes in South America, an anti-corruption game show in Africa. Obama was on his way out, Trump was on his way up, and Byrne wanted to alleviate the gloom by collating stories of positive change from around the world – not grand schemes but small, pragmatic innovations that work. Nobody spits.īyrne came up with the idea two years ago. Tonight, Byrne is treating a small, respectful audience in the Roundhouse’s Sackler Space to a PowerPoint lecture called “Reasons to be Cheerful”. Forty-one years later, the man, the venue and the fans have all changed. Both bands were deluged with phlegm, because that’s what punks thought they were meant to do then. T he first time David Byrne came to the Roundhouse in Camden was in 1977, when his band, Talking Heads, supported the Ramones.